Godzilla vs. Kong Taiwan Theater Exclusives". SciFi Japan. March 10, 2021. Archived from the original on March 11, 2021 . Retrieved March 10, 2021. a b Rubin, Rebecca (April 5, 2021). " 'Godzilla vs. Kong' Is a Box Office and HBO Max Hit. Will It Shake Up the Future of Moviegoing?". Variety. Archived from the original on August 5, 2021 . Retrieved April 5, 2021. Nugent, John (March 21, 2021). "Godzilla Vs Kong Review". Empire. Archived from the original on March 24, 2021 . Retrieved March 25, 2021. Neglia, Matt. "The 2021 Las Vegas Film Critics Society (LVFCS) Winners". Archived from the original on September 26, 2022 . Retrieved October 5, 2022. {{ cite web}}: CS1 maint: bot: original URL status unknown ( link) Davids, Brian (April 8, 2022). "Eiza Gonzalez on 'Ambulance,' 'Godzilla vs. Kong' Changes and the Ambitious 'Three-Body Problem' ". The Hollywood Reporter. Archived from the original on April 10, 2022 . Retrieved April 9, 2022.

Godzilla (1954) | The Criterion Collection Godzilla (1954) | The Criterion Collection

Godzilla vs. Mechagodzilla is vastly superior in terms of the artwork. I like the more realistic route they took and how both Mechagodzilla and King Caesar look and what little we see of Godzilla looks good. Only thing is I wish is that we could have seen more of Godzilla in this piece.(Artwork by Takashi Okazaki)Moving onto the special features, this set isn't one to write home about. It includes the stuff from the 2011 Criterion Collection's release of Gojira and Godzilla, King of the Monsters! such as:

GODZILLA BOX - THE SHOWA FILMS 1954-1975 (CRITERION

a b D'Alessandro, Anthony (December 3, 2020). "Warner Bros Sets Entire 2021 Movie Slate To Debut On HBO Max Along With Cinemas In Seismic Windows Model Shakeup". Deadline Hollywood. Archived from the original on December 6, 2020 . Retrieved December 3, 2020. Terror of Godzilla a.k.a. Terror of Mechagodzilla (United Productions of America & Bob Con Enterprises)

More about upcoming Godzilla & Monsterverse projects

In July 2017, Wingard spoke about the outline created by the writers room, stating, "We're going in very great detail through all the characters, the arcs they have, how they relate to one another, and most importantly how they relate to the monsters, and how the monsters relate to them or reflect them." He stated that he and his team are going "beat by beat" on the outline, stating, "So once again, it's a discussion, and about feeling out how to make it as strong as possible, so that when Terry [Rossio] goes to write the screenplay, he has a definitive breakdown of what to include." [49] D'Alessandro, Anthony (April 6, 2021). " 'Godzilla Vs. Kong' Scores Biggest Audience For HBO Max To Date, Samba TV Says". Deadline Hollywood . Retrieved April 6, 2021. Beaston, Erik (April 7, 2021). "AEW Dynamite Results: Winners, Grades, Reaction and Highlights from April 7". Bleacher Report. Archived from the original on September 23, 2021 . Retrieved September 23, 2021. The artwork for Ghidorah: The Three Headed Monster was my biggest disappointment from this set. The fact that they made it look like it was made by the Aztecs was very confusing. The film has nothing to do with the Aztecs which leads me to believe that the artist was using concepts from 2019's Godzilla: King of the Monsters, but still, this was probably the biggest disappointment from the set.(Artwork by Monarobot) Now moving on to 1971's Godzilla vs. Hedorah. This is a great opportunity to what each of these should have been. Only thing I dislike is the amount of detail that was put into the art. Had it been slightly less detailed I would have enjoyed it through & through but I dislike it mainly because it didn't fit with the rest so the fine details look off.(Artwork by Geof Darrow)

Godzilla, the Showa-Era Films, 1954–1975 (The Criterion Godzilla, the Showa-Era Films, 1954–1975 (The Criterion

D'Alessandro, Anthony (January 3, 2022). "With Tentpoles Bound To Surge The 2022 Box Office, The Great Theatrical-Streaming Day & Date Experiment Goes Out Like A Dud In 2021". Deadline Hollywood . Retrieved January 3, 2022. The other films were dubbed by different companies such as Grimaldi for Godzilla Raids Again. And Bellucci Productions for Ghidorah: The Three Headed Monster. OSCARS® SHORTLISTS IN 10 AWARD CATEGORIES ANNOUNCED | Oscars.org | Academy of Motion Picture Arts and Sciences". www.oscars.org. December 20, 2021 . Retrieved April 12, 2023.Co-producer Tamara Kent was in charge of guiding the post-production schedule and delivering the visual effects on time and under budget. Moving Picture Company (MPC), Scanline VFX, and Weta Digital were hired to create the visual effects. Kent stated that the effects could not be done with only two effects studios due to the short time given at the time. Kent noted that one consideration given was to have animation work divided via monsters: one company gets Godzilla, while the other gets Kong. That idea was dropped because it "didn't make sense", Kent explained, "they would need to be created by the same team in shots where they fought. So we divided things by location." MPC animated parts of the Hong Kong sequence, Weta animated all of the Hollow Earth sequences, and Scanline animated a majority of the Hong Kong sequence and all of the film's water environments. The effects were originally due in December 2019. The film's delay to a then-November 2020 release date granted the effects team more time. Wingard noted that this gave them more "flexibility" to get the effects "right" due to the film's "980 complicated effects shots". [81] a b Masters, Kim; Kit, Borys (January 8, 2021). "Warner Bros., Legendary Nearing Deal to Resolve Clash Over 'Godzilla vs. Kong' (Exclusive)". The Hollywood Reporter. Archived from the original on January 9, 2021 . Retrieved January 8, 2021. Debruge, Peter (March 29, 2021). " 'Godzilla vs. Kong' Review: You'll Want to See This Titan Throwdown on the Biggest Screen Possible". Variety. Archived from the original on February 2, 2022 . Retrieved February 2, 2022. A Warner Bros. Pictures release, presented with Legendary Pictures, of a Legendary Pictures production. In June 2017, it was announced that Zhang Ziyi had joined Legendary's MonsterVerse, having a reportedly "pivotal" role in both Godzilla: King of the Monsters and Godzilla vs. Kong, though she ultimately starred only in the former. [57] In June 2018, Julian Dennison was cast, while Millie Bobby Brown and Kyle Chandler were set to reprise their roles from Godzilla: King of the Monsters. [58] Legendary also sent an offer to Frances McDormand for a role. [59] In July 2018, it was revealed that Danai Gurira was in early talks to join the film. [60] Bart, Peter; Fleming Jr, Mike (December 7, 2020). "Bart & Fleming: While WGA, CAA & WME Fight In Court, Streamers Rewrite Movie Paydays; Will Legendary Challenge WarnerMedia Over 'Dune' & Godzilla Vs. Kong' HBO Max Move?". Deadline Hollywood. Archived from the original on December 7, 2020 . Retrieved December 7, 2020.