The Monstrous-Feminine: Film, Feminism, Psychoanalysis (Popular Fictions Series)

£17.495
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The Monstrous-Feminine: Film, Feminism, Psychoanalysis (Popular Fictions Series)

The Monstrous-Feminine: Film, Feminism, Psychoanalysis (Popular Fictions Series)

RRP: £34.99
Price: £17.495
£17.495 FREE Shipping

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Creed argues that the development of technology in the twentieth and twenty-first centuries has allowed people to experiment with reality and time, and disassociate one's self from their own reality, as well as challenge ideas of "fixed personal identity".

It would make no difference whether the child was born in a matriarchy or a patriachy, because the development of the psyche occurs long before any sort of patriarchal indoctrination could ever occur. The 103 third parties who use cookies on this service do so for their purposes of displaying and measuring personalized ads, generating audience insights, and developing and improving products. Overall, Creed's work is of interest to feminist theory and psychoanalysis and how these theories can be applied to horror films. The ‘primal uncanny’, as Creed looks at, was firstly discussed in Freud's work as just the ‘uncanny’ that linked to ideas of psychoanalysis and castration. Publication dates are subject to change (although this is an extremely uncommon occurrence overall).Nada más abrir el libro he visto varias anotaciones y varios fragmentos subrallados en color azul y rosa. Creed defines this "crisis TV", wherein news reporters focus on disasters to provoke anxiety and immediacy, and bring the abject into reality. Other than that though, this is an indispensable read for anyone interested in the horror genre, or in film studies in general.

This is a timely update of a seminal text which re-interprets key films of the horror genre, including Carrie, The Exorcist, The Brood and Psycho. Hotjar sets this cookie to know whether a user is included in the data sampling defined by the site's pageview limit.In her discussion of the many "faces of the monstrous-feminine", she draws on Kristeva's concept of abjection [9] to describe how patriarchal society separates the human from the non-human, and rejects the "partially formed subject".



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