Legacy [ edit ] DJ culture [ edit ] Classic DJ Station. A DJ mixer is placed between two Technics SL-1200 MK 2 turntables. In the mid-to-late 1980s, house music became popular in Europe as well as major cities in South America and Australia. [116] Early house music commercial success in Europe saw songs such as " Pump Up The Volume" by MARRS (1987), "House Nation" by House Master Boyz and the Rude Boy of House (1987), " Theme from S'Express" by S'Express (1988) and " Doctorin' the House" by Coldcut (1988) in the pop charts. Since the early to mid-1990s, house music has been infused in mainstream pop and dance music worldwide. Cheeseman-fu, Phil. "The History Of House". DJ Magazine. Archived from the original on September 6, 2013 . Retrieved August 13, 2013. PCP, Quaaludes, Mescaline. What Became of Yesterday's 'It' Drugs? – The Fix". Thefix.com. December 30, 2011. Archived from the original on October 27, 2017 . Retrieved October 27, 2017.

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Disco was instrumental in the development of electronic dance music genres like house, techno, and eurodance. The Eurodisco song I Feel Love, produced by Giorgio Moroder for Donna Summer in 1976, has been described as a milestone and blueprint for electronic dance music because it was the first to combine repetitive synthesizer loops with a continuous four-on-the-floor bass drum and an off-beat hi-hat, which would become a main feature of techno and house ten years later. [68] [69] [110] The rising popularity of disco came in tandem with developments in the role of the DJ. DJing developed from the use of multiple record turntables and DJ mixers to create a continuous, seamless mix of songs, with one song transitioning to another with no break in the music to interrupt the dancing. The resulting DJ mix differed from previous forms of dance music in the 1960s, which were oriented towards live performances by musicians. It, in turn, affected the arrangement of dance music, since songs in the disco era typically contained beginnings and endings marked by a simple beat or riff that could be easily used to transition to a new song. The development of DJing was also influenced by new turntablism techniques, such as beatmatching and scratching, a process facilitated by the introduction of new turntable technologies such as the Technics SL-1200 MK 2, first sold in 1978, which had a precise variable pitch control and a direct drive motor. DJs were often avid record collectors, who would hunt through used record stores for obscure soul records and vintage funk recordings. DJs helped to introduce rare records and new artists to club audiences. Purina Good Mews cat food TV commercial". August 15, 2013. Archived from the original on May 20, 2019 . Retrieved March 9, 2019– via YouTube. Jones, Alan and Kantonen, Jussi (1999). Saturday Night Forever: The Story of Disco. Chicago, Illinois: A Cappella Books. ISBN 978-1556524110.Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. In Sacramento, California, Disco King Paul Dale Roberts danced for the Guinness Book of World Records. He danced for 205 hours, the equivalent of 8½ days. Other dance marathons took place afterward and Roberts held the world record for disco dancing for a short period of time. [28] a b Moore-Gilbert, Bart (March 11, 2002). The Arts in the 1970s: Cultural Closure. Routledge. ISBN 9780415099066 . Retrieved May 30, 2012. Hydrogenated Poly(C6-14 Olefin), Hydrogenated Polyisobutene, Polybutene, Ethylene/Propylene/Styrene Copolymer, Pentaerythrityl Tetraisostearate, Tocopherol, Aroma (Flavor), Mica, Butylene/Ethylene/Styrene Copolymer, Pentaerythrityl Tetra-di-t-butyl Hydroxyhydrocinnamate, Benzyl Benzoate, Limonene, Eugenol, CI 77491 (Iron Oxides), CI 17200 (Red 33 Lake), CI 15850 (Red 7 Lake), CI 42090 (Blue 1 Lake).

Disco Cherry:

Hydrogenated Poly(C6-14 Olefin), Hydrogenated Polyisobutene, Polybutene, Ethylene/Propylene/Styrene Copolymer, Polyactic Acid, Calcium Sodium Borosilicate, Tocopherol, Aroma (Flavor), Mica, Pentaerythrityl Tetraisostearate, Butylene/Ethylene/Styrene Copolymer, Pentaerythrityl Tetra-di-t-butyl Hydroxyhydrocinnamate, Silica, Polybutylene Terephthalate, Benzyl Benzoate, Limonene, Eugenol, Tin Oxide, CI 77891 (Titanium Dioxide).

Naked Cherry:

IHydrogenated Poly(C6-14 Olefin), Hydrogenated Polyisobutene, Polybutene, Ethylene/Propylene/Styrene Copolymer, Pentaerythrityl Tetraisostearate, Tocopherol, Aroma (Flavor), Mica, Butylene/Ethylene/Styrene Copolymer, Pentaerythrityl Tetra-di-t-butyl Hydroxyhydrocinnamate, Benzyl Benzoate, Limonene, Eugenol, CI 77491/CI 77492 (Iron Oxides), CI 15850 (Red 7 Lake), CI 42090 (Blue 1 Lake), CI 77891 (Titanium Dioxide).

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Tim Lawrence: "Beyond the Hustle: Seventies Social Dancing, Discothèque Culture and the Emergence of the Contemporary Club Dancer." In Julie Malnig ed. Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader. Urbana and Chicago: University of Illinois Press, 2009, pp. 199–214. Online version: "Beyond the Hustle: Seventies Social Dancing, Discotheque Culture and the Emergence of the Contemporary Club Dancer". Timlawrence.info. September 19, 2013. Archived from the original on October 12, 2017 . Retrieved October 27, 2017. . Foster, Buzz (May 17, 2012). "Disco Lives Forever!". YouTube. Archived from the original on December 11, 2021 . Retrieved November 4, 2021.Boney M. (1974–1986) was a West German Euro disco group of four West Indian singers and dancers masterminded by record producer Frank Farian. Boney M. charted worldwide with such songs as " Daddy Cool" (1976) " Ma Baker" (1977) and " Rivers Of Babylon" (1978). Another successful West German Euro disco recording act was Silver Convention (1974–1979). The German group Kraftwerk also had an influence on Euro disco. Harmonically, disco music typically contains major and minor seven chords, [ citation needed] which are found more often in jazz than pop music. According to Peter Braunstein, the "massive quantities of drugs ingested in discothèques produced the next cultural phenomenon of the disco era: rampant promiscuity and public sex. While the dance floor was the central arena of seduction, actual sex usually took place in the nether regions of the disco: bathroom stalls, exit stairwells, and so on. In other cases the disco became a kind of 'main course' in a hedonist's menu for a night out." [32] At The Saint nightclub, a high percentage of the gay male dancers and patrons would have sex in the club; they typically had unprotected sex, because in 1980, HIV-AIDS had not yet been identified. [36] At The Saint, "dancers would elope to an un[monitored] upstairs balcony to engage in sex." [36] The promiscuity and public sex at discos was part of a broader trend towards exploring a freer sexual expression in the 1970s, an era that is also associated with " swingers clubs, hot tubs, [and] key parties." [37]

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Vincentelli, Elisabeth (September 17, 2020). "Róisín Murphy, a Disco Queen Ruling Her Own Galaxy". The New York Times. Archived from the original on September 24, 2020 . Retrieved September 23, 2020. a b "ARTS IN AMERICA; Here's to Disco, It Never Could Say Goodbye", The New York Times, USA, December 10, 2002, archived from the original on November 6, 2015 , retrieved August 25, 2015 In the 1970s, notable discos included " Crisco Disco", "The Sanctuary", "Leviticus", " Studio 54", and " Paradise Garage" in New York, "Artemis" in Philadelphia, "Studio One" in Los Angeles, "Dugan's Bistro" in Chicago, and "The Library" in Atlanta. [23] [24] TSOP (The Sound of Philadelphia)" by MFSB with vocals by The Three Degrees, a wordless song written as the theme for Soul Train and a #1 hit on the Billboard Hot 100 in 1974

The birth of disco is often claimed to be found in the private dance parties held by New York City DJ David Mancuso's home that became known as The Loft, an invitation-only non-commercial underground club that inspired many others. [17] He organized the first major party in his Manhattan home on Valentine's Day 1970 with the name "Love Saves The Day". After some months the parties became weekly events and Mancuso continued to give regular parties into the 1990s. [56] Mancuso required that the music played had to be soulful, rhythmic, and impart words of hope, redemption, or pride. [43] Powerful, bass-heavy, hi-fi sound systems were viewed as a key part of the disco club experience. "[Loft-party host David] Mancuso introduced the technologies of tweeter arrays (clusters of small loudspeakers, which emit high-end frequencies, positioned above the floor) and bass reinforcements (additional sets of subwoofers positioned at ground level) at the start of the 1970s to boost the treble and bass at opportune moments, and by the end of the decade sound engineers such as Richard Long had multiplied the effects of these innovations in venues such as the Garage." [27]