As part of MINI Big Love’s mission to make life brighter MINI has partnered with illustrator and Founder of The Happy News, Emily Coxhead, to design and launch the MINI Positivi-Tea Room at Westfields, White City (North Atrium). She thought she found the one and that ended in disaster so she has been hunting for it with a string of one night stands. Great supporting characters including Harold, an elderly neighbour who lived in the flat downstairs with his dog. So, with the band now established as far more than a musical holiday romance, the ten tracks of their debut album "Big Love Blanket" have arrived fully-formed, displaying a playful, almost hyperactive diversity of sounds and influences, landing on one all of their own that has been championed as "rapturously fun" by Ones To Watch, "incredibly catchy indie-led pop" by Record Of The Day, "curious and endearing" by Steve Lamacq, "remarkable" by CLASH and even compared to LCD Soundsystem by BBC 6 Music’s Marc Riley.

A vintage Peter Green guitar showcase, “Underway” was a highlight from his final album with the band, Then Play On, in 1969. That’s probably my favorite Christine song of all time,” Nicks confided in the liner notes to the 2013 reissue of Rumours, “and probably one of the only dark songs she wrote. Originally written by Lindsey Buckingham for a solo project during the band’s early ’80s hiatus following the release of Mirage, the track is undeniably a Buckingham show-off moment.It goes without saying, Fleetwood Mac have a hell of a lot of hits; far too many to squeeze into a top ten ranking, and the reason why we’ve reluctantly had to omit honourable mentions such as Seven Wonders, Gypsy, Never Going Back Again, Albatross, and Tusk’s brilliantly bonkers title-track.

Stella was an awfully selfish woman, and it was teeth grindingly frustrating to have to sit through her being a terrible friend during Billie’s cancer treatment and thinking that a half-hearted apology every so often was enough to make up for everything. Everything seems to be falling into place now Stella has met the man of her dreams and has an actual job working with a private investigator nicknamed ‘The Affair Hunter’. And it was just two-piece, there was no Christine or anybody putting any constraints on what could or couldn’t be done. We see the love and care as they both look after each other’s different needs – from emotional to practical. Stella is so caught up in her self-absorbed bubble for much of the book, and although I did want to give her a shake a lot of the time, the strides she makes really endeared her to me.After the huge commercial success of Rumours – by far Fleetwood Mac’s most famous album – things got a little weird for Tusk, Fleetwood Mac’s experimental, vaguely post-punk influenced follow-up. The Beach Boys showed the way, and not just to California,” Buckingham wrote in a piece for Rolling Stone . With Christine McVie pulling the band back together in 1985, the McVie’s convinced Buckingham to record the solo track for a new Fleetwood Mac album. Since being dumped by her aristocratic boyfriend, Stella is stuck in a groove of bad life choices, especially when it comes to men.

As Nicks said in 1988, “In the song ‘Gypsy’ it says, ‘Going back to the Velvet Underground/Back to the floor.It became their first song to reach the American charts since 1970 and their first Top 20 hit in the U.

The song’s been a fixture of their set for four decades, complete with a frenzied Fleetwood drum solo.Through a series of strangely unlinked events that end up coming together, she finds herself a job, a man, another admirer, an unexpected new friend, and a lot of new drama on her plate. Added to the weight of the battle scars from Lindsey’s and Stevie’s past personal relationship, they made the atmosphere of the studio even uglier with each passing day. Christine and John McVie were in the middle of divorce, and wouldn’t speak to each other outside of the studio. They] were showstoppers, even as rough sketches recorded on Lindsey’s four-track,” Fleetwood raved years later. Tango In The Night was mostly the work of Buckingham and Christine McVie - they wrote most of the songs and Lindsey was a co-producer.