Overall a good read that in my personal subjective opinion could do with a more hefty edit - beginning and ending magnificently but losing cohesion at the centre. Jasmine will be joined by Toby Regbo as Matt ( Chivalry, A Discovery of Witches), Yaamin Chowdhury ( The Lazarus Project, The Essex Serpent) as Akash and Phil Davis as Edward ( Trying, Viewpoint). ITV Head of Drama Polly Hill on Platform 7 Because of this I was never able to immerse myself in what she was narrating, and part of me wishes that it had all been narrated from a third perspective as it would have made ghost-Lisa slightly less off-key and more convincing. You do know she doesn’t like me all that much, don’t you?” How does Matty separate Lisa from her friends?

What is the point where a human being stops being a human being and becomes a thing? Most people think it happens with death but Dalmar knows it can happen a long time before then if it needs to, so that other people can bear what they are seeing. ” Through coaching, offer suggestions for Darren to link his learning of effective leadership and different styles to those nurses who would normally co-ordinate the ward. Lisa is our "spirit guide" throughout this book. Through her we eavesdrop on conversations and even the thoughts of various characters, especially a young man called Caleb on whom she becomes fixated. Gradually, we learn more about Lisa, her former life and the reason she is trapped in Peterborough Railway Station. As she makes desperate attempts to communicate with the living, there's a dramatic change in her circumstances. This is a dark, unsettling read in places but also an uplifting, almost spiritual tale which will ultimately reward the reader.Supernatural elements combine with contemporary realism in this chilling drama.” Platform 7 release date Screenwriter Paula Milne adds... “This is no traditional ‘spooky’ ghost story. It’s the tale of a ghost on a quest to discover who she was and the events that led to her untimely death.Her story is a celebration of indignation versus passivity and truth versus lies.While writing from Louise Doughty’s astute and emotionally intelligent novel, I began to feel she’s the ghost in all of us; the unseen part ofus when we find ourselves reflecting on the wisdom of our past decisions. Sometimes with regret, occasionally with rancour but more often with the complicated relish of what it means to be human.” Who is Louise Doughty? This is an unnerving, chilling and deeply unsettling novel from Louise Doughty, a literary blend of haunting ghost story and thriller revolving around two suicides that take place on the eponymous Platform Seven at Peterborough Station. In the very early hours of a bitterly cold November morning, a man makes his way to an isolated part of the station, far from any member of staff, thinking himself entirely alone as he walks purposefully to the edge of the platform. He is not alone, he is closely observed by the ghost of Lisa Evans, a secondary school teacher, but she is unable to intervene and prevent the tragedy that ensues. Unusually, the story is narrated by Lisa's ghost. This is a novel that makes for an interesting construct. It ponders the nature of a purgatorial afterlife – although at times it can feel a bit woolly – but it gets into its stride when describing the intricacies of the relationship between Lisa and Matthew. It also looks at the effect of suicide on the wider community, how many people inevitably do become involved in the aftermath and the toll it can take on individuals who remain in the world. Lisa can also observe the life that comes after her demise. The story is excellent on people and setting and offers readers a chilling frisson, a read, poised on the knife-edge of life.

To be honest, I probably would not have read Platform Seven had it not roused my interest because it was set in Peterborough. But perhaps the omission of its most remarkable landmark — and, indeed, any aspect of religion — in favour of the railway station, and the parkways and the suburbs they connect, in itself reflects a kind of embarrassed silence which those who live with abuse or die by suicide still encounter, not least on the part of the Church. In spite of its flaws Platform Seven is a lot more thoughtful than one might expect from its murder mystery premise. Jobson said: "I’m super excited to be taking the lead in this amazing psychological thriller, based on Louise Doughty’s phenomenal best-selling novel. I’m also thrilled that I get to show audiences a completely different side to what I can do on screen with this character."

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Yet Platform Seven is neither a ghost story nor a murder mystery. Seeing the plot unravel through the eyes of the ghost of Evans is an interesting twist on the idea of an omniscient narrator. Perhaps it is more than that: Evans’s ghost, like all ghosts, can pass through doors, and go with apparent ease where the living struggle to go or fear to tread. Thus, fiction can be a way to reflect on matters of life and death which may be too painful to explore in real life, real though they may be to those who encounter them. This is, perhaps, true of historic sexual abuse, but also of coercive control and suicide, two of the subjects explored in Platform Seven. There was another RN on duty responsible for the other people in the bay. Putting the proficiencies into practice The first 30% or so of this novel proposes a slow and atmospheric take on the ghost story. Louise Doughty's use of the supernatural, although patchy, allows her to create a mosaic of the lives and troubles of the people working at Peterborough Railway Station. Forgotten and largely overlooked, they are forced to deal with horrific situations such as suicides. Through Lisa Evans, the ghost of a suicide victim, we follow some of the night staff in their everyday lives. Lisa is somehow able to tell what these people feel and think, and there is a sense of quiet resignation in the people she observes. Although depressive, very much so, it was interesting to glimpse the fears and desires of the people observed by ghost-Lisa. I found Dalmar, Tom, Melissa, and Andrew's lives interesting and affecting.