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The Devil You Know

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I like how the album has a song about fear itself, describing it as a mark that was left on us all despite humanity taking control of fire and light with no more need of fearing the dark. Kaz, Jim (29 April 2009). "Heaven & Hell – The Devil You Know". IGN. Archived from the original on 14 April 2010 . Retrieved 26 April 2012.

Dio's vocals on this album are just some of the best and most aggressive sounding vocals he's ever put on an album. His vocals match the intensity that the album art for the album gives off as well as the album title itself. For being a couple years shy of seventy years old, Dio has still got it. In this album, Dio blends the perfect mixture of melody and aggression together to create some of the best vocals he's ever done on an album, if not the best. Dio's lyrical ability is also top notch and on this album he created some of the best lyrics he's ever written for any other album. The lyrics on this album are just great. Best Buy will offer an exclusive version featuring a DVD with unreleased video of the band recording the album including studio performances, interviews, and other behind-the-scenes content. (See several clips from the DVD below.)Heaven & Hell's Geezer Butler Discusses 'The Devil You Know' ". blabbermouth.net. Archived from the original on 7 May 2012 . Retrieved 21 April 2009. Coordinator [Project Assistance] – Dutch Cramblitt, Jason Elzy, Kris Ahrend, Liz Erman, Lyn Fey, Mason Williams (2), Matthew Szerencse, Nikki Fair, Rich Mahan, Scott Webber, Sheryl Farber, Steven Gorman*, Vania Garcia Heaven & Hell is ramping up for the April 28 release of THE DEVIL YOU KNOW with a vast array of physical and digital retail exclusive versions, listed below. The album will also be released as double vinyl LP featuring a laser etched design and exclusive poster on May 12. iTunes will offer an exclusive version with previously unreleased live recordings of “Die Young” and “I” from the band’s 2007 European tour. One thing I will say about this album, is that I did not “get it” the first time around. And by that, I mean for the first couple of listens, I was kind of ambivalent towards it. Much the same way I was with Fused. However, after about four listens, I think this may be one of the highlights of the entire Sabbath band catalog and it's solo band offshoots. It's nice to hear Iommi play an acoustic guitar again, which he only has done sparingly for Sabbath songs like “Children of the Sea” and “Nightwing” (the latter is from Headless Cross).

When dealing with these songs on an individual basis, comparisons to “Dehumanizer” could be made, along with a lot of other Dio and Sabbath albums that came out after said release, and even a few from before it. There isn’t really one era of their project that defines this album, but more of an even mix of them all, compressed into a modern yet not overdone production. Songs such as the creepily slow and dark “Atom And Evil” and the dissonant yet catchy “Fear” could be compared to material heard on “Cross Purposes”, “Strange Highways” and “Magica” and still not quite describe the character of the sound in its entirety. Likewise, faster songs such as “Eating The Cannibals” and “Neverwhere” carry a dueling “Dehumanizer” sense of darkness and a “Mob Rules” meets “Holy Diver” feeling of riff familiarity and majesty. Some other songs such as “Double The Pain” and “Follow The Tears” get so heavy on the bass and low end riffs that they cross over into sludge territory. There’s essentially a little something for every fan of every respective era of these musicians’ careers to grab onto. Best Buy will offer an exclusive version featuring a DVD with unreleased video of the band recording the album including studio performances, interviews, and other behind-the-scenes content. If there’s one take I have about the Sabbath discography that’s extremely unpopular, it’s that The Devil You Know under the Heaven & Hell title is the single most overrated album they ever did. Note: not the worst, but the most overrated. I’m obviously a huge fan of the band, I love Ronnie James with all my heart, and doom metal is something that I can dive into from time to time (obviously). But man, I really do not see the huge appeal in this. It’s not bad, but it really is not that great, and I have to wonder how much of it was hype-based on such a massive lineup reuniting in 2009.

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Atom and Evil is a smart word play, a song that warns us from the danger that might come from the discovery of the atom power, as it can be easily misused and be our demise. It's implying that the discovery of this power was like the serpent giving Adam and Eve the forbidden fruit. The production sound reminds me of "Dehumanizer" more than the other two Dio-fronted Sabbath LPs ("Heaven And Hell", "Mob Rules"). Several of the songs are slow and creepy but there's also uptempo pounders like "Breaking Into Heaven" and “Eating The Cannibals”. While the presence of Dio always completely ferments anything he sings on this album feels like all three are equally present at all times. Iommi is as always a brilliant creator of riffs and Geezer Butler's menacing bass sets the tone. especially on for the crunchy “Double The Pain”. It's one of the best basslines I've heard since Queen's "Under Pressure" Other than the sinister riffs, another reason this record has such a dark vibe is the fact that it took Dio’s fantastic lyric writing and Sabbath’s general dark imagery to conjure images of demons, fallen angels, and sin, which work together to give the album quite a hellish mood and atmosphere. But despite the quite fantastical imagery, the album still has a very personal edge to it. It’s given to you from such a very real point of view, going in-depth about the emotions, that you can have some sort of relation to it. It also lets the songs that are more purely about emotion and don’t quite have the fantasy element blend right in as well.

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