Cleopatra and Frankenstein: ‘Move over Sally Rooney: this is the hottest new book’ - Sunday Times

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Later, as they lay naked in each other’s arms, the mosquito net breathing softly around them, Cleo turned to his profile”. Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South. I guess, considering that it's been a month since I read this and I haven't been able to stop reading or talking or thinking about it, five stars.

The last thing I'll say is that lately I have been holding a pen in my hand while I read, but I'm rarely prompted to use it.An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored. Cleopatra and Frankenstein offers a shrewd take on the muddle and messiness of modern relationships; and Mellor does a great job of painting a fragmented world full of choice and chaos, and the search for true happiness. A love letter to New York, to the chaos of finding one’s feet, to the intricacies of waning relationships and to what it is to be human, Cleopatra and Frankenstein will no doubt cultivate a legion of loyal fans waiting for Mellors’ next move. Buy Cleopatra and Frankenstein from Bookshop.org, Book Depository or Waterstones. Cleopatra and Frankenstein Summary Mellors’ debut is an emotional, provoking and deeply relatable statement about a romantic partnership. “Cleopatra and Frankenstein” spins you around the hole of love, trauma and betrayal its characters experience, imparting lessons about how letting go might be a greater gesture of love than latching on to coupled loneliness. I sometimes loved, and sometimes hated all the characters in this one: the title pair who marry mere months after meeting, and their eccentric circle of pals.

while the book jumps around between a cast of characters running full-speed around new york, they all feel fleshed out and their perspectives are equally as absorbing as the one before, with witty humour laced throughout. along with being a tender and painfully realistic character study, the book provides explorations of love, marriage, desire, friendship, art, addiction, and mental illness. but most of all, it seems that the book is about the journey to discovering who you really are and what you really want - a journey which seems to never really be complete. Cleo and Frank run head-first into a romance that neither of them can quite keep up with. It reshapes their lives and the lives of those around them, whether that’s Cleo's best friend struggling to embrace his gender identity in the wake of her marriage, or Frank's financially dependent sister arranging sugar daddy dates after being cut off. Ultimately, this chance meeting between two strangers outside of a New Year’s Eve party changes everything, for better or worse.

the characters are cool, but I did hate eleanor. and I kiiiinda hated cleo but just because I know people like her are insufferable in real life. in books I love sad art bitches like cleo so whatever. everybody seems to love eleanor because she is down to earth and funny but to me she was so mediocre. MY OWN LIFE IS MEDIOCRE I DON’T NEED TO READ ABOUT MEDIOCRE PEOPLE. the fact that she gets it all (won’t say what) made me furious. like GO HOME TO YOUR MOM AND LEAVE MY CLEO ALONE. I stayed attached to my tracic awfully flawed heroine, I guess that’s my greek side in me, whatever¿ (GIVE ME MORE TRAGIC AWFUL HEROINES OKAY?) it’s just good people bore me, terrible people are more interesting in literature. and I love toxic love in books, movies whatever GIVE IT TO ME ALL. I liked the writing style. It felt fresh and current but it was also full of almost surprising drops of wisdom. The story, though bleak in places, was full of tenderness and hope and I particularly enjoyed the ending. Cleopatra and Frankenstein Book Review: Characters The author offered different perspectives throughout the story, not just from Cleo and Frank, but from their friends and family members. It gave an insight into these characters’ motivations and feelings, as well as showing how they were perceived from the outside looking in. Where Zoe could be seen as flighty and irresponsible by her brother Frank, we realise that she’s actually quite vulnerable and scared. These insights made the characters feel more authentic and relatable. Cleopatra and Frankenstein Book Review: Summary New York City at the start of the 21st-century – pre-financial crisis, pre-Trump, pre-Covid – is captured with near-devotional lushness in this nostalgic debut. It’s an urban playground that struggling painter Cleo, 24 years old and stylishly British, is on the brink of being exiled from, her student visa due to expire in mere months, when she meets Frank, a fortysomething ad agency owner with a nice line in elevator chitchat. They wed on a whim to calamitous effect on both sides. In terms of depth, this novel is more Jay McInerney than Hanya Yanagihara, but Mellors proves herself a poetic chronicler of inky gloom as well as twinkly surfaces. Unattached: Essays on Singlehood

Each compulsively readable chapter explores the lives of Cleo, Frank, and an unforgettable cast of their closest friends and family as they grow up and grow older. Whether it's Cleo's best friend struggling to embrace his gender queerness in the wake of Cleo's marriage, or Frank's financially dependent sister arranging sugar daddy dates to support herself after being cut off, or Cleo and Frank themselves as they discover the trials of marriage and mental illness, each character is as absorbing, and painfully relatable, as the last. Frank presents Cleo with the possibility of happiness, artistic freedom, and the chance to apply for a Green Card. Their spontaneous marriage has unforeseen consequences that alter not only their lives but also the lives of those around them. Cleopatra and Frankenstein Book Review: My OpinionThey meet cute, and begin spouting off impossibly clever lines: all those sharp, witty retorts that you and I only think of twenty minutes after the fact. If Manhattan were a drug, which one would it be? This is one of the profound questions raised by reading Coco Mellors’ tantalizing but blithe debut novel, “ Cleopatra and Frankenstein,” whose Manhattanites run on stimulants and drown in alcohol. Hers is a city of flash and fluttering movement, as if deliberately designed to distract its inhabitants (or those Mellors chooses to depict) from seeing that, beneath the surface, there’s no there there. This is Mellors’ debut novel, and it’s clear that she knows a world built on flash and substances (but not substance) is bound to crumble. She has written some extraordinary sentences and shows a great talent for dialogue. And she cannily sets Gen X artists who found a way to combine art with commerce against millennials who were raised to grasp at shiny objects that wound up beyond their reach. Her party scenes play out the inevitable clash: youth and money, mutually envious. Redemption for some of her characters will come with the recognition that the envy is misplaced and that developing a sense of self means reaching for higher-hanging fruit. It's the latest in a string of literary fiction pieces that I've read that feel aspirational to that title. It's giving aggressive general fiction. This book caught me by surprise. I wouldn't consider myself a fan of contemporary relationship novels, but this one - I loved.

the whole younger woman/old man is a very tired hetero dynamic. maybe if the characters concerned are nuanced, interesting, or believable, maybe then i will bring myself to read yet another age-gap & vaguely toxic hetero romance but cleo and frank are not it. their first meeting is ridiculous, ludicrous even. of course she's beautiful and has a british accent. her hair is described as 'golden', her face, a 'performance', her clothes and makeup give her a vintage yet distinctive aura (i made the mistake of looking up coco mellors and could no longer divorce the author from the character...and i happen to find self-inserts cringe at the best of times). cleo has long fingers, smokes, she's artistic. i could keep on going...these ppl are boring and the author's attempts to make them into rooney-esque figures, well, tis' cringe. my life is too short and precious to me to waste my time on this earth reading bland stories. I felt as a whole the mental health aspects, including addiction and depression were handled sensitively. If I was to be slightly critical, I felt Cleo’s depression was slightly glamourised. Beautiful, suicidal Cleo who no man could resist.while this seems like the classic ‘young twenty-something woman starts dating the older richer man’ story (which we all know and love), mellors’ unique narrative style offers a fresh new take. cleo and frank’s relationship is the strand which runs through everyone else’s lives, their tumultuous up and downs bleeding into the lives of their circle of friends and family. in essence it is a love story, albeit told through the eyes of others. Mellors weaves an enticing tale of companionship and conflict within Cleo and Frank’s marriage. They’re from different walks of life and different generations, but both have demons nipping at their heels. Cleo is dealing with her mother’s passing and her strained relationship with her father. Frank faces similar struggles, with an estranged father and a mother who provided him with a less-than-healthy idea of love. As Frank turns to alcohol to numb his problems, Cleo grows frustrated with his frequent substance use. Despite their problems, the characters still feel deeply considered and relatable.