Indoors Controlled (zero): Recording stationary sounds indoors with only 1 person. Just you and your subject. Under these circumstances, there is virtually zero air movement. Not only that, it also eliminates any “surprises” that may stir up some wind caused by people walking by or turning on fans. This level of control makes for an “air-tight” environment, requiring zero wind protection. The Rycote Mini Windjammer is a slip-on fur cover that provides wind protection. The windjammer can be used solo, but was designed to be added on to Rode’s VideoMic NTG Windscreen for extra wind diffusion.

Protecting, cleaning and sanitizing your gear the right way Protecting, cleaning and sanitizing your gear the right way

Lightweight short shotgun microphones featuring true externally-polarised condenser capsules. A wide bandwidth and controlled polar response, coupled with low-noise electronics, delivers excellent results for film and broadcast video applications. The NTG-1 is 48V phantom powered, with integral switchable HP filter and has an XLR connector.

We get this question all the time: “Are pop filters really necessary? Do I actually need a windscreen for a decent recording?” The honest answer is, “It depends.” Rode NTG3: This legendary shotgun microphone paved the way for the NTG5, introducing RF-bias technology and a sound signature ideal for interior location shooting.

21cm Long Foam Sponge Windscreen Shotgun Cover for Microphone

This well-designed microphone windscreen cover easily slips over the foam material that comes with the Rode VideoMic Pro with Rycote Lyre. Together, they provide added wind isolation while preventing additional loss of high-frequency sounds, whether you’re filming a movie project or broadcasting interviews outdoors. It can also work with built-in mics on portable cameras, as well as on external camera mics and handheld reporter mics. Key Specifications: The H&A Chinchilla Windshield is a reliable and adaptable windscreen for shotgun microphones. The WSS-14 covers microphone lengths up to 5.5 inches and fits a range of brands including Rode, Shure, Sennheiser, Neumann, Audio-Technica, and Azden. These super-cardioid shotgun microphones follow on from the popularity of the NTG-1 and NTG-2 shotgun microphones. With added functionality such as digital switching for high pass (flat/75Hz), high frequency boost, and level control (-10dB pad), the NTG-4 and NTG-4+ can be easily operated when on a boom or are mounted on a camera. A wide frequency response of 20Hz-20kHz and low noise circuitry gives the user a more rounded and accurate sound. If you need a blimp, the overall length of your microphone is more important because the blimp has to encompass the entire microphone.The Rode WS6 Deluxe Windshield provides excellent noise protection against high wind and adverse weather conditions. The slip-on design of the WS6 features dimensions that accommodate any shotgun microphone with a length of 280mm and a diameter of 22.5mm. Rycote’s deadcats are some of the best and are rated for 10 dB of wind attenuation alone. Considering this, I think a good estimation for the Rode blimp is 40 dB of attenuation. As you can tell from this mic cover type, the Rode Microphones Blimp is shaped like a pill. It carefully encloses compatible microphones (the NTG-1, NTG-2, NTG-3, and other third party shotgun microphones up to 12.7 inches in length) while giving it some static air space for extra wind protection.

Shotgun Microphones | Microphones | CPC Shotgun Microphones | Microphones | CPC

The windscreen is the biggest complaint about this product, prompting Micolive to make an instructional video about how to put it on → video. As long as you have any of these three compatible microphones, the Azden SWS-100 windshield is a must-have for outdoor recordings. Key Specifications: A pop filter is going to serve you best in the studio when you’re in a controlled environment (ideally an acoustically-treated one as well!). Pop filters help diffuse some of the acoustic energy behind plosives, which lends itself to a cleanly recorded vocal that requires less editing. Pop filters commonly attach to a microphone stand and are made out of nylon or metal. Wipe down everything with the appropriate cleaning solution; see below under “Sanitizing your gear.” Pay extra attention to the mics and anything else that’s been close to another person.When you’re deciding whether to use a windscreen vs pop filter, consider the situation first and foremost. It isn’t so much that one is better than the other, but that they each attempt to preserve the integrity of a recording under different circumstances.

NTG3 Shotgun Mic Windscreen Deadcat Pop Filter Compatible

RE50 + probe cover or non-lubricated latex condom (probe cover preferred; this method really needs a fix from an engineer) NTG-2 has the same specifications as the NTG-1, but with the added flexibility of battery powering (via a single 1.5V AA cell) as well as standard 48V phantom power. Both have XLR-3 connectors. NPR audio engineers tested the sound quality of these mic protection methods. If an engineer can fix your tape before it goes on-air, that’s ideal. Also engineer-approved are the cleaning and sanitization methods detailed below. Included accessories: RM5 microphone clip, windshield and ZP1 zip pouch. ( NTG-4+ also includes Micro USB cable). Add the windscreen and massage gently for 45 seconds. Try not to bend or twist large, fuzzy shotgun windscreens.The Rycote Mini Windjammer is an ideal option for Rode Video Microphones with Rycote Lyre. Providing excellent wind diffusion with its high-quality synthetic fur, it’s the ideal partner for select product models manufactured by one of the most popular brands of video microphones.