A Casual Conversation with Saul Leiter.” Time , Time, time.com/3797042/a-casual-conversation-with-saul-leiter/.

Early Color - Saul Leiter - Steidl Verlag

Saul Leiter: Retrospektive exhibition at Deichtorhallen in Hamburg, Germany; accompanying book is published by Kehrer. Also attends solo exhibition at Jewish Historical Museum, Amsterdam, and is interviewed on stage. painting exhibition in over 30 years, at Knoedler Gallery, New York. Tomas Leach begins filming documentary In No Great Hurry: 13 Lessons in Life With Saul Leiter.For me, I enjoyed playing with reflections like Leiter did as a tool for abstraction. For example, I found a CD in the car I was in and played with that in the reflection of the car window. I was able to capture the CD in the window, which I thought created an abstract theme because it was unclear where the circle was coming from in the window. I also tried to use overpasses and the lines of my car as a way to frame my photographs like Leiter did to only focus on certain parts of the scenery. I think using the overpasses along with the lines of the car to create these horizons was effective. In the following the legal basis for the processing of personal data required by Art. 6 I 1 GDPR is listed. work is included in the group show Photography 63: An International Exhibition at George Eastman House, Rochester, New York. Establishes commercial studio at 156 Fifth Avenue, in the Flatiron District.Travels with Bantry to Ireland to shoot Harper’s Bazaar feature “The Look of the Irish” for October 1963 issue, which also includes a Leiter cover image and photographs of children’s fashion in New York.

Saul Leiter | Artnet

Mr. Leiter made few prints of his art photographs: it was enough for him, he said, to show slides of them to small gatherings of friends, projecting the images onto his living room wall. He roamed the streets daily with his camera, and he continued to paint. In some works he merged the two mediums, adding layers of paint atop his already layered photographic images. I have come to understand the 20 thcentury as a more modern time as I found myself utilizing the same techniques as Leiter and getting similar results. I was able to use reflections like he did to distort realities and play with patterns on the streets to create new shapes. That being said, it is interesting to note the difference in the subjects that I captured compared to Leiter’s. All of the people I captured were either on their cell phones or using technology in another way, like riding a motor scooter. When you look at Leiter’s subjects, they are painting and reading, very in the moment. People today are more immersed in the digital. Leiter created new realities and played on distortions, and today our new reality is the digital and it is in the palm of our hands. Exhibition Saul Leiter: Through the Blurry Window opens at Piknic in Seoul, South Korea. Forever Saul Leiter travels in Japan.Barbara Hatch. Exhibits color work in Emerging Talent group show, selected by art critic Clement Greenberg, at Kootz Gallery, New York. Primarily uses newly launched Leica M3 camera during this period.