Also the antagonists (well technically heroes) I think they're really bland. Cedric is just kinda the ex character. Lilia is the standard good girl anime protagonist, and pretty predictable like YOU know that girl is hiding something hah. Out of the Otome Game adaptations we've had so far, I really have to concede the fact that HameFura is the overall better handled show that we have Art-wise, this show isn't the best. I still can't get used to the show's art style. In terms of animation, I'd say it is pretty good, with nothing particularly disappointing to mention. And the OP and ED are perfect for the show. I was already feeling them in the first episode of the show. The VAs should not be overlooked for how well they portray the characters to which they are assigned. Leído en inglés]: Cuando el prometido de Aileen rompe el compromiso frente a toda la escuela la devastación llega a su vida, o eso hubiera pasado si sus memorias de su vida pasada no hubieran llegado de golpe. Es entonces que se da cuenta que ha reencarnado dentro de un juego de citas que jugó anteriormente y que su vida está pronta a terminar en tan solo tres meses. Aileen tiene un plan y el primer paso es que el Rey Demonio Claude se enamore de ella, mientras que el número dos es sobrevivir.

I’m a Villainous Daughter, so I’m going to keep the Last Boss I’m a Villainous Daughter, so I’m going to keep the Last Boss

The art is beautiful. Not exactly the height of manga art, but still, cute and serious at times, I liked it. With time running out, can Irene succeed with her plans, or will she remain bound to the ill-fated ending that awaits her? I will not forgive V03 for that horribly conceived attempted rape scene. It mutilates characters, emphasizes purity culture, and the perp gets away with it with barely a slap on the wrist. Also, this is the point where the ship started making less sense to me because there were too many heightened emotions and it does not fit with how little they actually know each other. But I'm getting ahead of myself here, let's rewind from the start. If you've watched either HameFura or MobuSeka for that matter, AkuLas's story is essentially the same copy-pasted blurb setting of its main female MC being Isekai-ed into the game, with her memories intact of how the game is being played out and navigating thereabouts so that she can reach the outcome of the game's "good end" and avoiding the "bad end". But as the saying goes: "Truth is stranger than fiction", and even if the game turned out to be predictable, there is always that small hole-sized void that'll plunge the female MC into self-perception if there exists an area that wasn't part of the main story (e.g. special spin-off character routes), regardless of how well she can memorize the entire game inside out to play exactly as how it would be panned out.

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The main protagonist (Definitely not a hero) of this work. She is the reincarnated form of the villainess of "Regalia of Saints, Demons, and Maidens" the one who interferes with the heroine's love life. She is the only daughter of the House of D'Autriche Duke of the Ellmeyer Empire. She died from an unknown disease in her previous life and was reincarnated as the main villainess of the game she was playing during her last days. how could I give it anything less and do I want to pauper myself by getting the manga as well, stars! Si je suis la vilaine autant mater le boss final est un manga que je m’étais acheté après avoir vu l’anime a sa sortie (fin 2022) et je me suis récemment dit qu’il était enfin temps de le sortir de ma PAL.

Boss wo Kattemimashita | Isekai Akuyaku Reijou nanode Last Boss wo Kattemimashita | Isekai

On October 1, 2021, an anime adaptation was announced. It was later revealed to be a television series produced by Maho Film and directed by Kumiko Habara, with scripts written by Kenta Ihara, and character designs handled by Momoko Makiuchi, Eri Kojima, and Yūko Ōba. The music is composed by Natsumi Tabuchi, Hanae Nakamura, Miki Sakurai, Sayaka Aoki, and Kanade Sakuma. It aired from October 1 to December 17, 2022, on Tokyo MX, MBS, Wowow, AT-X, and BS-TBS. The power of the Holy Sword can see the painful memories of the person's past. Aileen now possesses 2 holy swords, the swords combined into one giving the sword a massive power boost. As Aileen, she has shown to use her knowledge of the game's events to advertise the possibility of her demise. She is a bold, intelligent, and slightly sly girl with great ambitions (even before she regained her memories). Overall (this is a very biased opinion, because I really loved the manga) this is a fun ride, I do think that it is re-readable and if you don't take it too seriously I think you'll like it. No es la primera vez que leo esta historia, creo que la primera vez fue por allá del 2019, pero si es la primera vez que lo tengo en físico, por lo que no ha aparecido en ningún otro año de lecturas.The pacing is a disaster: the season is crammed with standalone arcs, each of which is rushed, all of which together leave little time for characters and relationships to develop. Nine episodes in, the show is still introducing entire factions Actually, it's not clear at all how the story builds on or benefits from the premise. Why make her a villainess? Why reincarnate her? Why in a dating sim? Any one of those elements could have taken the story in an interesting direction if it had been treated as more than just isekai overhead. It's not difficult to imagine: an evil heiress gets dumped, tries to get even, and winds up fixing her life, and the kingdom, essentially out of spite. Or how about this: reborn into fantasy high society, an ordinary modern girl has to act the part of a notorious noblewoman or face destruction. As for being trapped in a dating sim — I mean, that one practically writes itself: it's funny when a normal person has to deal with stupid genre tropes. Unfortunately, the show delivers none of the above.