But right after we are then treated to the synth and drum intro before the vocals and the UK certainly has more bite here. That coupled with the extra bass from the low end really gives it and edge over the reissue. Remastered by James Guthrie and Joel Plante at das boot recording. 5.1 and Atmos mixes by James Guthrie. Front Cover: Very dark blue with prism. The front cover has been found with three different types of front openings:

Reverb too seems just as good if not better here on the A3/B3 giving subtitles in echoes more effect.Studio album recorded at Abbey Road Studios, London, between May 1972 and January 1973. Produced by Pink Floyd. Engineer Alan Parsons. Assistant Peter James. Mixing supervised by Chris Thomas.

Release Information: Original stereo issue with a very dark blue cover, and a solid light blue triangle (prism) on the label with "The Gramophone Co., Ltd." text on the edge of the label.This pressing similar to The Dark Side Of The Moon and The Dark Side Of The Moon, however there are significant unique attributes, primarily: I grew up listening to this on CD in the mid-to-late 90s and, while I haven’t heard any OG pressing of this, this 2016 BG cut is close to flawless and sounds absolutely wonderful. DSD pressed well is the future of reissues anyway, once all the tapes are dead, so we’ll probably shelve our analogue stridency. International E.M.I. catalog number 1E 064 o 05249 appears in small font and parentheses on the cover rear.

This first edition was initially pressed by The Gramophone Co. Ltd., from July 1st, 1973 by its legal successor, EMI Records at the same plant. As my journey continues in search of the best Dark Side of the Moon I finally stumble upon an early UK copy in good condition and decide to buy it. To be specific a third generation A3/B3 from 1973. After enjoying this 2016 cut for several years and, in the spirit of finding the “iconic” analogue cuts, I bought NM copies of MoFi’s 1979 and Kevin Gray’s 2003 pressings. I admit I haven’t heard a UK OG pressing (I’m trying to get a German OG from Michael Ludwig), but this 2016 sounds cleaner, fatter, and clearer than both analogue cuts I own. That’s not to say it’s the best cut out there - obviously - but it is to say these 2016 remasters are phenomenal, especially if you just want great sounding pressings of these records for a great price. I also have the 2016 cuts of WYWH and had ANIMALS, before I replaced it with the “2018” remix (which is the best version of ANIMALS to my ears due to the remix). But the 2016 ANIMALS reissue did sound great for the original mix. The last and most important thing. Sound. If you put on a record and you don't understand what's going on, where all the bass and treble have gone, where the stage and space are - you have a Danish edition. It's almost an exact copy of the British original in everything. Except sound. Maybe it's a collectible item, but not a listenable one.There does not appear to be any standalone reissues of the 2023 remaster of The Dark Side of the Moon, so the three physical formats for this 50th anniversary campaign are: deluxe box set, vinyl LP of Live at Wembley 1974 and CD of Live at Wembley 1974. Unlike with Animals, they are not making the spatial audio available separately, so buying the box set is the only way to get the Atmos mix, physically. This is the special edition with A B on matrix (without stampers, mothers' letters, and without lacquer signs! It exists a similar release The Dark Side Of The Moon, with slightly different inside gatefold colours: on bottom left corner, EMI Harvest logos and all the text info around them are blue instead of white.